自古以來陶瓷就是一種極具「互動性」的創作材料，舉凡杯、碗、瓶、罐等，皆是因人類生活之需所製作成的器物，而器物可提供實用功能給予使用者，這正代表了使用者與器物之間「互動」的必然性。
人與物的互動關係會因為使用者的用心而產生情感上的轉化，在藝術品與觀賞者之間透過「互動」的發展，更經常會觸動「趣味性」及「遊戲性」的特質，隨著現代的美學革命，把「互動性」的觀念帶入藝術創作活動之中，使得藝術創作不只是外表的形式問題，「互動性」的表現更是重要的特質之一。
對我而言，陶藝創作也不只是存在於能夠被看見的物質形式，更多且重要的價值將在互動的過程中被創造出來。讓陶藝創作再次回到陶藝最初的目的「用」，在「用」的過程中自然會產生「互動」、產生「趣味」、甚或是一種「遊戲」，人們會以「情感」去對待有「回應」會「互動」的器物，讓陶藝作品彷彿有了自己的生命。

 

Since antiquity, pottery has been a highly "interactive" creative material; cups, bowls, bottles and jars were produced as a result of people's everyday life needs. Wares provide functionality to the user, and this signifies the inevitability of "interaction" between the user and the wares.
The interactive relationship between man and objects bring about transformation in sentiments due to the users' dedication; the development of interaction between arts and the viewers often trigger characteristics of "interest" and "game". Through the revolution of modern aesthetics, the concept of interactivity is introduced into the process of artistic creation, so that artworks are not merely exterior appearances; the presentation of interactivity is one of the more crucial qualities.
As far as I am concerned, pottery creation is not simply about the visible material form; additional and more important values are created during the process of interaction. Let pottery creation return to the original purpose of "use"; during the process of "use", "interaction" is generated, in turn creating "interest" or even turning it into a kind of "game". People will react to wares that "respond" and "interact" with "emotion", so that pottery artwork seem to have a life of its own.